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works

Dialogue with Devices (2025) 

Potemkin’s Curtain of AI, HITL (Human-in-the-Loop) and 1000 Micro-Decisions

Joint exhibition with Robert Good and Paul Laidler, Auction House and Back Lane West, Redruth, Cornwall










Resonating Bodies (2024)

Joint exhibition with Dr Karen Abadie, Levinsky Gallery, The Arts Institute, University of Plymouth

















The Agency of Error in Post-Digital Print (2022)

Exhibition of PhD, The University of Plymouth













Diagramming Error: it’s not a yes-no (2022)

The University of Plymouth








Lines of thought: Mapping The Agency of Error in Post-Digital Print (2021)

Set of projects: Enchiridion, Reading Enchiridion, (mis)Feeds, (mis)Folding 

The Arts Institute, The University of Plymouth













Paper Browser (2020)

4 x Panasonic KXP1150, continuous feed 70gsm paper, Raspberry Pi







[mis]Feeds (2019-20)

Oki 320 Elite dot matrix printers, continuous feed 70gsm paper, Raspberry Pi

Kronika Centre for Contemporary Art, Bytom, Poland









Loops: (im)Material network (2019)

Performance

Epson LQ870, Epson LQ570, Oki 320 Elite dot matrix printers, continuous feed 70gsm paper


Loops: (I’m)Material network (2019)

Performance v.2:

Epson LQ870, Epson LQ570, Oki 320 Elite dot matrix printers, continuous feed 70gsm paper, Test Space Research group







Enchiridion: Unlearning Space (2018)

Performance, dot matrix, laser, inkjet and screen print, and audio









Reading Enchiridion (2018)

Audio 12:42

http://laurarosser.com/wp-content/uploads/2019/01/Lou-audio-1.mp3

Enchiridion: Direction Agreed (2018)

Limited edition paperback book

Perfect bound 18.42 cm (w) x 23.2 cm (h)

Enchiridion

(mis)Folding (2018)

Dual screen video performance, screen prints on Offenbach bible paper 450 cm (w) x 640 cm (h)

http://laurarosser.com/wp-content/uploads/2019/04/folding-very-short.m4v

(mis)Folding 1.1 (2018)

(details) Bolton University






Diagramming Residency (2018)

Studio video, Katowice Academy of Art, Poland

http://laurarosser.com/wp-content/uploads/2019/01/IMG_4401.m4v

Diagrams (2017 to date)

Various mediums: screen prints, pencil and highlighter drawings

Offenbach bible paper 450 cm (w) x 640 cm (h)










Personality Traits (2017) (works in progress)

Artists books, series of 7,  9cm (w) x 9 cm (h)

Edition 3, Kozo









Yasaka Kyoto (2017)

Photo etching,  23.5cm (w) x 41cm (h)

Edition 10, Somerset Satin



GD1 Kanazawa (2016)

Woodcut, 75cm (w) x 100cm (h)

Edition 10, Bunko Shi



We Aint All Middle Class Bohemians (2015)

Woodcut, 210cm (w) x 100cm (h),

Edition 10, Kozo



The Fairies Went Boo (2015)

7 x stereoscopic photographic images, viewed in 3D through a View-Master

10cm x 10 cm, edition 4









No One Knows Where I Am (Port Elliot) (2015)

100 x 35mm slides, projection size variable
















All Work And No Play Makes Jamie A Dull Boy (2015)

Typewritten text, 220cm (w) (10 x 21cm (w) ) x 110 cm (h)




No One Knows (Plymouth Art Weekender)  (2015)

Plymouth University

Projection, 240cm (w) x 200cm (h)







Golden Girl (2014)

Woodcut, 122cm (w) x 122cm (h)

Edition 10, Somerset Satin



Touch #3 (2014)
Scott Building, Plymouth University








Following (2014)

Inkjet prints (x5), 14.8cm (h) x 10.5cm (w)

Bunko Shi












5:06 (2013)Woodcut, 120cm (w) x 90cm (h)

Edition 10, Somerset Satin



Gorgeous (2012)

Woodcut, 45cm (w) x 50cm (h)

Edition 10, Fabriano Liscia



St.Ives Passed Me By and By (2012)Woodcut relief, 40cm (w) x 30cm (h) x 7cm (d)

Edition 10, Somerset Satin